Fascinated by Queen Victoria

Good old Queen Victoria was born on May 24, 1819…200 years ago!! Queen Victoria may be long dead and gone, yet in a way she lives on. She lent her name and birthday to the glorious long weekend we are now celebrating. And she lives on in numerous place and street names around the globe as well as inspiration for books and movies.

My daughter and I recently decided we wanted to watch a TV series together, something British. We selected Victoria and steadily worked our way through Seasons 1 and 2. We were enthralled — addicted? — from the get go! Just so you know, this is NOT your stout, dowdy, “we are not amused” Queen Victoria. This is a young, vibrant Victoria (just 18 years of age when she came to the throne), a headstrong Victoria filled with steely determination to do things her own way. Viewers are treated to pomp and circumstance, romance (both royal and below stairs variety), juicy scandal, and plenty of scheming and intrigue.

The cast is superb. Jenna Coleman plays Queen Victoria, Tom Hughes is her husband, Prince Albert, and Rufus Sewell portrays Lord Melbourne, the prime minister. I have to confess to a secret hankering after the Prince Ernst character (David Oakes), the oh-so-handsome and charming but badly-behaved older brother of Prince Albert.

Season 3 of Victoria comes out on DVD later this month. Cannot wait!

As we watched the series, I also read the companion book, Victoria by Daisy Goodwin, the creator and writer of the TV series. Highly enjoyable. Looking for more Victoria-inspired reading or viewing? Here are a couple of newish offerings I would recommend: Victoria & Abdul (DVD) and Queen Victoria: twenty four days that changed her life (book) by Lucy Worsley.

I have become quite fascinated with Queen Victoria, so I will leave you with two facts I bet you did not know. First, when Victoria was born the chances of her ever becoming queen were extremely remote as she was the daughter of the fourth son of the old King. Also, when Queen Victoria died (in 1901) she was the longest reigning monarch in British history (at 63 years) … though that record has recently been surpassed by her great-great granddaughter, the present Queen, at 67 years, and counting.

Happy Victoria Day!

— Penny D.

If Beale Street Could Talk

They’re here. All those great big, beautiful Oscar-winning movies are (mostly) out on DVD and available at WPL.

Bohemian Rhapsody, A Star is Born and Green Book are the really hot ones. You might be lucky enough to snag a FastView copy, otherwise you’ll have to take your place in the rather lengthy holds lists.

Here’s one that didn’t garner quite the same level of attention but which I’m eager to see: If Beale Street Could Talk (it won an Oscar for Best Supporting Actress, Regina King). I read some great reviews and wanted to see this film at the theatre, but somehow never did. Just take a look at the trailer, don’t you agree it looks beautiful?

Then I discovered it’s based on a novel by American author James Baldwin, so now I’m immersed in the book as I await my turn for the movie. (BTW, I’ve found reading the book beforehand — if there is one — really enhances the movie-watching experience.)

I can’t praise the book highly enough. Set in New York City, it’s a tender love story between 19-year-old Tish and 22-year-old Fonny and so much more. Tish discovers she is pregnant, and the scene where Tish tells Fonny’s family, now that’s memorable. I just can’t wait to see that in the movie! When Fonny is wrongfully accused of rape and thrown in jail, Tish and her family — Fonny’s family isn’t much use — work tirelessly to get him released from an openly racist system.

A lot of themes come into If Beale Street Could Talk. Race and racism and injustice, certainly, but also the universal themes such as hope vs. despair and staying strong and resilient in the face of adversity because, after all, what other choice is there?

N.B.  It was a great thrill for me to discover the writer James Baldwin (1924-1987). Within the first half page of the book, less than that really, I knew he was the real deal, a REAL writer. His writing is spare and clean with nothing extraneous added, yet so genuine. I know I will be reading more of James Baldwin.

— Penny D.

Graphic Novels : way more than superheroes

Are you a graphic novels fan? Until recently my answer would have been a resounding “no.” Just not my cup of tea, or so I thought. But one day, more out of idle curiosity than anything, I decided to give them a shot. Now graphic novels are a part—not a big part, mind you, but still a part—of my reading repertoire.

Here’s what I like about ’em. They allow for a fairly quick and easy read but then you can go back for a second (or third) look and discover things you didn’t see the first time round. Also, the words and pictures work together in a very special way so that the whole is greater than the sum of the parts. I think you call that “synergy”.

This is the one I’m reading right now: Hey, Kiddo by Jarrett J. Krosoczka (2018). Krosoczka has written and illustrated a number of kids’ books, including the very popular Lunch Lady series. In this outing, Jarrett tells his own story and that of his big, messy, dysfunctional family. He was raised by his grandparents and never knew his father. As for his mother, she flitted in and out of his life but mostly she was gone. One day he learned the reason why: his mother was a heroin addict. Much of her adult life was spent either in jail, in rehab or using. For such a bleak subject, I found this book to be ultimately positive and affirming.

Here are some other graphic novels I have enjoyed over the years. All of them are real life stories (which I think is part of the appeal for me) and just note the incredible range of subject matter.

My Friend Dahmer by Derk Backderf. This was my intro to the graphic novel world and was recommended by a former WPL staffer. It’s the story of serial killer Jeffrey Dahmer while he was still in high school but already plenty disturbed. A very interesting read. You might want to check out the DVD of the same title. Actor Ross Lynch is excellent in the title role.

Ethel & Ernest by Raymond Briggs. The author, a renowned children’s illustrator, tells the story of his parents, two working class Londoners who met in the 1920’s and stayed together until their deaths. It is utterly delightful and more moving and funny than you might expect from a graphic novel. Also check out the DVD of the same title. Every bit as charming as the book.

Becoming Unbecoming by Una. This one is about sexual violence against women, including the author’s own experiences. There is a lot more going on in this book besides personal narrative (such as various stats, questions and musings) which adds to this graphic novel’s complexity. The illustrations perfectly express the author’s emotions.

Secret Path by Gord Downie (of The Tragically Hip) and Jeff Lemire. It’s a true, unbearably sad story about Chanie “Charlie” Wenjack, a 12-year-old Indigenous boy sent to a Canadian residential school. Then Chanie decided to run away… The story and images will haunt you.

— Penny D.

PS  And just released is Anne Frank’s Diary: The Graphic Adaptation. I haven’t read it yet, but it is getting a lot of buzz.

Hillary : Everest & Beyond

Recently, the Waterloo Public Library added the DVD Hillary: Everest and Beyond to its feature film collection. It’s a fictionalized version of the life of New Zealand adventurer and philanthropist Sir Edmund Percival Hillary. I wanted to try something different (I usually prefer mysteries or action packed thrillers) so I took this one home. To my surprise it was quite good.

In Hillary it was very interesting to learn that as early as 1885 there were suggestions that climbing Everest would be possible. People were eager to scale the mountain. Some of the earlier attempts are briefly dealt with in the film and feature the northern approach which was discovered in 1921 by Brits George Mallory and Guy Bullock even though they were not equipped for such an attempt. In 1922, Mallory and Bullock returned with George Finch. They climbed using oxygen which allowed the team to travel at a pace of more than 951 feet per hour but still they did not reach the summit.

In 1924, Mallory and Geoffrey Bruce’s attempt was cancelled due to poor weather conditions but Norton and Somervell, who climbed without oxygen and had good weather, managed to reach 28,050 feet. They attempted to finish the climb using oxygen but did not succeed. On June 8, 1924 Mallory (this time with Andrew Irvine) tried again via the North Col-North Ridge-Northeast Ridge route but never returned. On May 1, 1999 Mallory’s body was found by the Mallory-Irvine Expedition. Irvine’s was never recovered.

screen-shot-2017-04-02-at-09.28.28There were several other early yet unsuccessful expeditions in the 1920s also mentioned in the film, as well as attempts in 1933 and 1936 via the North Face. Also in 1933 (and not mentioned in the movie) British Millionaire Lady Huston financed the Houston-Mount Everest Flight Expedition, in which aircraft flew over the summit of Everest for the first time.

In 1950 access to the north-to-west route was closed after China took control of Tibet. Bill Tilman and a small party made an attempt using the route which has become the standard approach to Everest (or what the Tibetans call “Chomolungma,” or “Holy Mother”) from the South. A Swiss expedition in 1952 led by Edouard Wyss-Dunant was granted permission, taking the Khumbu Icefall and ascending to an elevation of 26,201 feet. Raymond Lambert and Nepali-Indian born Sherpa Tenzing Norgay reached 28,199 feet on the southeast ridge setting a new climbing altitude record. As a result of Norgay’s experience he was hired to be part of the British expedition in 1953.

After all the build-up from the other expeditions and Hillary’s sheer determination (which is depicted marvelously in the film) at 11:30am local time on May 29, 1953 the then unknown man, Hillary from South Auckland, New Zealand, along with trusty Sherpa Norgay, successfully made it to the summit of Mount Everest. News of the expedition reached London on the morning of Queen Elizabeth II’s coronation. Several days later Hillary, along with Col. John Hunt (who led the expedition), received knighthoods.

Although there were parts of Hillary’s life that the film didn’t depict it is a worthwhile watch and made me want to find out more about this fascinating man. If you want to learn more about his exploits and philanthropy check out the following titles from WPL’s collection. They will fill in the gaps left by the film and help readers better understand the tall, shy, sensitive man who loved to read and also to push life’s limits.

High Adventure: true story of the first ascent of Everest” – in this autobiography, Sir Edmund Hillary recounts his life, his ascent of Everest and the history of mountaineering expeditions in China and Nepal.

To the Top! Climbing the World’s Highest Mountain” – in this eBook for kids, author S.A. Kramer describes how Hillary and his Sherpa reached Everest.

View from the Summit” – another autobiography where Sir Edmund Hillary recounts more about his life including jet boating up the Ganges and initiating a building program which included schools, clinics, airstrips and bridges in Nepal.

Sir Edmund Hillary & the People of Everest” – this coffee table book illustrates the social life and customs of the Nepalese people, as well as the life of Hillary and mountaineering. It’s filled with beautiful photos and celebrates 50 years and the golden anniversary of the conquest of Everest.

— Teresa N-P

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Six Degrees From a Typewriter

A popular game suggests that all things in the world are six or fewer steps away from each other. Who would have thought that this applies to a vintage typewriter?

This tale begins when a staff member offered a vintage typewriter for display at the Main Library. Shortly thereafter I displayed the typewriter in the lobby near Borrower’s Services on an equally old oak desk the library had kicking around. Immediately our customers began to try out the vintage machine and the click-clack of the keys could be heard in the library.

This is not a new idea. The book “Notes From a Public Typewriter” edited by Michael Gustafson and Oliver Uberti is a collection of a series of notes left on a vintage typewriter set up in a book store in Ann Arbor, Michigan. The book combines essays with favourite notes (like “I ended up alone on my birthday but being here makes it easy to forget that. Thank you.”) as a nod to community.

At WPL we too began to experience our own unplanned community-building exercise. Jokes, words of advice, famous quotes and reminiscences were typed up, slowly or quickly, on the old machine at the Main, revealing the heart of our community here in Waterloo.

The heartwarming:

“Dear whoever reads this. You matter.”
“You are loved. You are accepted.”
“Love yourself.”
“Books are good for you and books love you too”

Gentle advice:

“Learn something new every day.”

Salutations:

“Hello person who is reading this.”
“Whoever you are? Have a good day.”

Memories:

“My dad had a typewriter like this in his office in Buffalo.”
“This is the typewriter that I learned on in 1950 when I could do 40 words a minute.”

Kids:

“Give me ccccoooookkkiieeeessss.”
“I wish I could use one of these for school. It’s cooler than Google docs.”
“This is old school. How did anyone ever type like this?”

Generations mingled:

“This is an ancient keyboard.”
“It’s not that old. I used to have one!!!”

Suddenly, I began to see images of typewriters everywhere I looked including on the cover of Tom Hank’s collection of short stories “Uncommon Type”. Each of Hanks’ stories features a typewriter almost like it was a character in the story. My favourite “Christmas Eve 1953” tells the story of a World War II vet who has achieved the American dream but is still haunted by flashbacks to Christmas 1944.

Hanks himself is an avid collector of typewriters which he talks about in the documentary “California Typewriter”. The documentary examines the extinction of the beloved typewriter and the movement to keep these “ancient” machines clicking away.

WPL customers really enjoy the sound from yesterday. Customers noting “The sound of the keys clacking is nice.”

In the popular feature film, “You’ve Got Mail“, a cherished neighbourhood bookstore (owned by Meg Ryan’s character) is being pushed out by a big book store chain (owned by Tom Hanks’ character). Another character in the movie collects vintage electric typewriters, rhapsodizing about the hum of the machine and the sound of the keys. Spoiler alert, he doesn’t keep the girl – but he does hang onto the vintage typewriters! The viewer can judge who got the better deal.

If all this typewriter talk has made you want to learn more about the trusty machine, check out the book “The Typewriter Revolution” by Richard Polt. It includes a chapter on care and repair which I may need when unsticking keys and adjusting the ribbon every morning. Curious customers have a habit of fiddling with buttons and adjusting levers and, as one typist freely admitted, “Help! My finger is stuck between the keys!”.

Finally, I seem to be right back where I started – the typewriter. You see, I have my own typewriter story. When I started at WPL almost 30 years ago one of my jobs was to type catalogue cards on just such a machine. I think a WPL customer summed it up best when they so wisely clacked out in short staccato strokes “Remember who you are. Remember who you were”.

— Maureen S.

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Happy 30th Die Hard

It’s so hard to believe that Die Hard is 30 years old this year. Bruce Willis has been saving his estranged wife and her coworkers from Hans Gruber and his ruthless henchmen for decades now and it’s still one of the most enjoyable action movies of all time. It was nominated for a few Academy Awards in 1998, the ones you would expect, like Best Sound Effects and Best Visual Effects, but that doesn’t take into consideration that the writing was top-notch and Bruce Willis takes you on an emotional journey unlike any other in that genre. All two hours and twelve minutes of that film are filled with action and set the standard for movies in that genre that come to follow.

When the movie first came out I saw it with high school friends and we joined the rest of the audience in cheering each time John McClane made it through another terrifying moment against the despicable criminals – they were so calculated in their lawbreaking. As time has passed and I’ve seen the movie again and again (and with the help of my two daughters’ critical eyes) I can see that they carefully set everything up to make the whole film an endless barrage of moments that keep you on the edge of your seat. McClane removes his shirt (and shoes and socks, after his seatmate in the airplane suggests that it will help him to relax after his stressful airplane flight) to clean up after his flight to see his wife Holly and without this ‘armour’ he is even more vulnerable when the first shots are heard. The very fact that he has flown to Los Angeles from New York to try and mend some of the damage in their marriage makes the audience care for him even more. And when he just doesn’t stop, despite grueling injuries and the terrifying thought that his wife could be in danger, well, we are there with him every step of the way. We are watching through our fingers as he continues to battle, despite everything horrible that comes his way, we are on McClane’s side until the last bullet and flash of a bomb.

Of course, throughout all of those horrible moments comes what Bruce Willis was known for at the time, his perfect comic delivery. He made “Die Hard” while he was filming the TV show “Moonlighting” and the dialogue seems as if it were written specifically for him, even though in the years since the film was released we have learned that he wasn’t the first actor they considered for this role. I’ve read that Robert De Niro and Sylvester Stallone were possible leads. Even Frank Sinatra was considered. I can’t imagine anyone else saying some of the things McClane said as he crawled through those air ducts or as he wrapped his battered feet on the floor of the barren office tower.

Some of those things are filled with language that isn’t appropriate for this post but he was under such strain at the time so we need to forgive him. When he called for help from the top of Nakatomi Plaza, they didn’t believe him and told him that the phone line was for emergency calls only. Just imagine… that 911 operator had it coming to her when he said he wasn’t calling to order a pizza (or something very like that, I’m leaving out a few words). Each time it seemed like things were going his way the cup is dashed from his lips. It’s maddening and exciting at the same time and so, so watchable.

Attention must also be paid to the dialogue that they wrote for McClane’s worthy adversary, Hans Gruber, because he was equally enjoyable to watch. Alan Rickman was so incredible in this part that you feel as if the writers were giving one snappy line to McClane and then one to Gruber like they were shelling out for Hallowe’en. His character is never at a loss, always a step ahead, and terrifying. When he and McClane cross paths he is able to quickly switch to an American accent and convince McClane that he is a victim – as if he were one of his own hostages! I almost always feel like shouting at the screen when this happens. He is ruthless, cool under the extreme pressure of their heist and is oh, so clever. When he is trying to convince Mr. Takagi to give him the code he says “I could talk about industrialization and men’s fashion all day but I’m afraid work must intrude.” in a voice that makes you believe that perhaps he might be willing to talk but he also might be willing to kill at any moment. It’s eerie.

The impact of McClane and Gruber’s fight to the finish might not have resulted in multiple Oscars but it does cause people to discuss whether or not this film should be considered a “Christmas Movie” every few years. I am firmly on the side of watching it during the holiday season – McClane is going home for the holidays, Holly and her co-workers are taken hostage during their Christmas party and the soundtrack includes classics like “Winter Wonderland”, “Let it snow” and Run-D.M.C.‘s “Christmas in Hollis”. It’s an absolutely fun watch and it has a happy ending – that all says Christmas movie to me. The movie has been listed in many ‘Best Of’ lists, it spawned a franchise for Bruce Willis, and his sweaty undershirt and police badge are now in the Smithsonian. (see image below)

If you search the Internet you will find t-shirts, Christmas sweaters and gifts with all of the best Die Hard quotes printed in various fonts. You can purchase a box set of the DVDs in a Nakatomi Plaza-shaped commemorative box (I’ve seriously considered it) and we recently added a graphic novel to the collection called A Million Ways to Die Hard by a group of authors and illustrators who have worked for Marvel and D.C. You can read it and find out what these artists imagine McClane’s life is like now that he is in retirement, or could have been like if he wasn’t dragged back into the world of policing to face a psychotic serial killer.

Die Hard and John McClane will be with us for years to come and I am thrilled. This movie goes out regularly throughout the year at all library locations and every holiday season we have requests for it to go home with someone for a special festive viewing. I know that I’m looking forward to watching it again, probably not exactly for the 30th time but I’ll take a minute to contemplate how much I’ve enjoyed it through the years and perhaps I’ll walk barefoot on the carpet for a while, just making fists with my toes, like someone I know.

— Penny M.

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Juliet, Naked

Ooh I love the English writer Nick Hornby. He writes about human frailties and vulnerabilities in a way that is always smart, funny and so spot-on.

I recently read his book Juliet, Naked (from 2009) and also saw the movie during its recent run at the Princess Cinema.

Juliet, Naked is a great read! What’s with the title, you might be wondering. It sounds a little, er, provocative. But there is no clothing-less woman named Juliet parading through the book. Juliet, Naked is, in fact, a music album. Perhaps that will come as a disappointment to some.

Anyway, Annie and Duncan live in the north of England and have been together for 15 years, wasted years as far as Annie is concerned. Then she starts an email correspondence with Tucker Crowe, who also knows a thing or two about wasted time. Tucker used to be a famous singer-songwriter, who Duncan just happens to be obsessed with, and which will throw a few curveballs into the story line. It has been 20-odd years since Tucker’s last album and his life has been pretty aimless since then.

Tucker comes to England to deal with some complicated family stuff and arranges to meet up with Annie. They have built up quite a connection through their correspondence. The burning question (no real surprise here): are they willing to give relationships a second shot?

The movie Juliet, Naked stars Rose Byrne, Ethan Hawke and Chris O’Dowd. All of them are excellent. I have to say I preferred the book over the movie (mostly because I love Nick Hornby’s writing so much) but a fellow WPL staffer told me that she preferred the movie. So there you go, two different people, two completely different opinions–and that’s great.

The DVD is not yet available at WPL, but is on order.  Here’s the link to the trailer in case you want a sneak peek. There are quite a number of holds on it already so if you are interested you might want to place your own hold soon. Like, now.

— Penny D.

Get the Night Light Ready

At Halloween do you like to settle down and watch a spooky movie to get you in the mood for handing out candy to the ghosts and ghouls on your doorstep? Perhaps you have more of a taste for the macabre. Reflecting on Halloween makes me think of how I would rank my favourite fright-filled films.

Now, I’m not really a horror fan. I have been known to watch a movie with a blanket pulled up, covering my face, with one eye peeking over the top while I ask my husband to tell me when the scary part is over. Still, there a few films that I’ve watched and enjoyed which do fit the bill.

One of the most recent horror films I’ve watched is Winchester. It was Helen Mirren playing Sarah Winchester, the widow of the Winchester Firearms company magnate, that first intrigued me. This partly fact-based film (with some creative license of course) wasn’t one of those blood-gushing, over-the-top violent films. However, it does make you jump at the right times and the underlying theme of ‘why’ resonated with me. Although only a few parts of the movie were filmed at the actual Winchester mansion it made me want to visit and see just what made Sarah frantically build this mysterious house in San Jose, California. If you’re as intrigued as I was, watch the film and then check out the mansion’s website.

Another of my favourite horror films is Sleepy Hollow, based on the Washington Irving legend that we’re all familiar with. A headless horseman haunts a town. People are scared. A gruesome death occurs.

What makes the Johnny Depp version of Sleepy Hollow a favourite of mine is the romantic twist on this piece of European folklore that’s been popular since at least the Middles Ages. In this version a personally troubled police constable from the city, Ichabod Crane (Depp), is asked to help the village. Arriving in Sleepy Hollow, he meets Katrina Van Tassel (Christina Ricci), the daughter of a wealthy landowner. Ichabod falls in love with Katrina while trying to help rid the town of its monster. This “battle” is highlighted by some CSI-like techniques which have been adapted to fit in with the time period. As dark as the cinematography of this film is, the light in the outcome of the story makes it one to watch.

This brings me to my two favourite films based on Stephen King novels: The Shining and Misery. In The Shining Stanley Kubrick adapts the story of a boy whose psychic powers brings out the evil in an old hotel. Being isolated in a large hotel during a snowy winter creates cabin fever for one of the main characters with murderous outcomes. The historic setting of the hotel and the film’s score of music from the past gives the film a nostalgic feeling which is partly what attracted me at first. The scary scenes will make you jump out of your seat and although the film is slightly different from the book it’s a great movie to watch!

In Misery it’s the spectacular performances of Kathy Bates (who won the Academy Award for this role) and James Caan that originally caught my attention. Rob Reiner directs and one of the best scenes happens as Caan’s character slowly, painfully hobbles across the screen towards freedom and then … BANG … our excitement is squashed and we cringe as Bates’ character ends his attempt to free himself of this ‘misery.’

The final films on my Halloween “must watch” list are:

I’m sure there are much scarier movies out there with blood and guts that would give me nightmares forever but I digress. Whether it’s the spinning head of Linda Blair in The Exorcist, the mysterious woman’s appearance in the Woman in Black, the question of is he dead or alive in The Sixth Sense, the satanic plot of the people in Rosemary’s Baby, the classic shower scene in Psycho or the static on the television in Poltergeist these frightening, suspenseful moments always draw me in. I get the shivers just thinking about these films. For now though, I think I’ll just wrap my blanket around me tightly and make a run for the candy bowl!

— Teresa N-P

Book vs. Movie

Can a movie be better than the book? The Case of Ready Player One

With adaptations now common in the film world, readers have been proven time and time again that a movie adaptation can never be as good as the book. It’s a notion that had good reason. Books have more time to develop storylines, characters, and a world. Books invite readers on a personal journey with the characters and whatever they imagine is the true story. I’ve been a proponent of agreeing that books are ‘better’ than movies over the years, but I’ve started to question if this notion should be absolute. Can a movie be better than the book? In some cases, I think that yes, yes it can.

After my friend’s encouragement, I read the book Ready Player One by Ernst Cline. Now, I must preface that I’m not the target audience for this book. I didn’t grow up in the 80s, I’m not well versed in fan culture, and I’m not a teenage boy. As Cline described, this book is, “… a love letter to geek culture.” That letter certainly is not addressed to me. Regardless, I read the story for the adventure.

Ready Player One by Ernest Cline is set in the year 2044 where reality is a really ugly place. Eighteen-year-old Wade Watts finds an escape in the virtual utopia called the OASIS. When OASIS creator James Halliday dies, the late OASIS creator dedicates his entire will and inheritance to whoever can pass three very difficult tasks that will lead to uncovering an Easter egg. A global mad hunt ensues to find this egg, a lottery ticket, that is concealed in the virtual world.

I finished the book and didn’t quite understand the hype for it. One of the main reasons I didn’t care for the book was the writing style. For the first 100 pages, Wade tells the reader how everything works in the world. There is no room for the reader to uncover the clues along with Wade, as he breaks down every detail and feeds it to you. Where’s the adventure in that? Beyond the 80s references, the story was a fairy tale treasure hunt where plot conveniences, flat characters, and wish fulfillment didn’t add up to a great story that was promised.

Despite my problems with the book, I went to see the movie. I had faith that Steven Spielberg’s direction would make for a fun movie, and I was interested to see how he handled the more problematic aspects of the book. I went with the friend who initially recommended the book, and we both came to the same conclusion when we left the theatre together. The movie was better than the book.

How could that be? The book was rich with allusions and world building details. It was a love letter to geek culture. How is it that both the person who liked the book and didn’t like the book come to the same conclusion?

I have a theory why. This book dealt with virtual reality, an inherently visual concept. What better platform is there to showcase a virtual reality story than a movie where there are not only words on a page (the script), but music, sound, and grand visuals that dazzle us. It brought the story to life in a way that didn’t translate in the book for me. It was easier to show us the world as Wade walked through each scene and all the details in the book existed around him. Beyond that, Spielberg has a deep understanding of what stands as the epitome of geek culture: The Eater Egg. Everything thematically and narratively revolves around this. It gave a focus and coherence to the narrative that wasn’t present in the book. Not only could someone who understood all of the 80s references like my friend enjoy it, but someone who didn’t like me. Additionally, the secondary characters are given more agency in the movie, which led this tale to be the action-packed adventure that I had wanted the book to be.

It now makes me wonder about the nature of adaptations. Can they not only bring a beloved book to life, but a story that is more suited for the screen? While everyone can have a preferred platform in which stories are told, I can no longer say whether a book is better than a movie. Instead, the question I ask myself is: does this story work better as a book or movie?  With Ready Player One, I believe it’s a story that is perfect for the screen.

Are there any stories that you’ve encountered that work better as a movie than they did as the book? Decide for yourself if Ready Player One is a better suited for a book or movie by checking them out from WPL collection.

— Eleni Z.

Unsung Heroes

Have you ever watched a deleted scene from a movie and felt that there was something missing? Chances are that scene didn’t have any music. Soundtracks often go unnoticed by people when they are present, but without them movies would be lacking a vital element to make the stories truly come alive.

Music plays many roles in the things we watch. It can identify a character, a setting, or a significant event. Throughout the film, that music will remind the audience of whatever has been associated with that theme. This can be useful in subtle ways, like when the protagonist is thinking about their love interest. We don’t need them to say who they are thinking about if the score for the love interest starts playing. Whether we pay attention or not, we will pick up on the auditory clues and intuitively know what is happening.

Another crucial aspect of movie scores is giving the viewers emotional cues. The music tells us how we are supposed to be feeling and plays a huge part in setting the mood. Can you imagine if fanfare was playing during a death scene? Or if a sweeping ballad was underscoring a series of prat falls? They just don’t work. Those scenes would become jarring and unappealing. The emotions that we feel while watching a movie are significantly enhanced with the right kind of music. Even scenes like in the Lord of the Rings movies when they are journeying across the mountains. The music makes us feel the excitement of adventure and the epic importance of the journey. Without the score to provide us with that emotional boost, watching people hike would not be nearly as exciting.

It’s not just scores that bring a movie to life, but soundtracks as well. What’s the difference, you ask? A score is orchestral music composed for the movie that is usually meant to exist subtly under the dialogue and action. Soundtracks are pieces of music chosen to be in the movie that are usually contemporary with lyrics. While they can be used under dialogue and action, they are more typically for montages and transitions.

The right choice of a popular song can perfectly encapsulate a moment or call forth an emotion for the audience. A lot of the music I enjoy, I first discovered from watching a movie or TV show. I would fall in love with the soundtrack music and have to look up what the songs were so I could buy them or borrow from the library!

Many movies use both scores and soundtracks to round out the storytelling of the movie. Take Guardians of the Galaxy as an example. We have an excellent score that is full of sweeping heroic pieces, tense escape music, and more poignant emotional pieces. Then there is the amazing soundtrack based on the main character’s cassette tape. These are all songs from the 1970s that are not only great songs, but are significant to the character. The audience knows that he has been listening to these songs all his life, and we are able to further identify with him through the soundtrack.

Movies just wouldn’t be the same without music. Scores and soundtracks are integral to the characters, story, and overall emotional depth. Movie music is one of my favourite things to listen to and fortunately the library helps keep me supplied with excellent score and soundtrack options. If you are interested in listening to some, just check out WPL’s collection!

— Ashley T.