Woodstock

Time to break out the tie dye T-shirts and headbands and love beads. Yes, it’s time to celebrate the 50th anniversary of Woodstock. In August 1969, half a million young people gathered together on a farm in upstate New York for a 3-day music festival, in what became one of the great defining moments of the 1960s.

Want to live (or re-live) the experience? Here’s what’s happening at WPL. The library is presenting a Woodstock night (live music! tie dye T-shirts! a VW van!) at the Main Library on Wednesday, August 14 from 7:00pm to 9:00pm. Click here for more info. Or borrow some Woodstock-themed items from the library, like I did.

Woodstockpic2I started with this fabulous book, Woodstock: three days that rocked the world. It is jammed pack with great big beautiful photos and provides an excellent summary/celebration of the festival. The reader gets an overview of all the performers, as well as some fascinating trivia. For instance, I learned about the origins of the peace symbol and got a huge laugh out of a New York Times editorial expressing outrage over the festival (“nightmare in the Catskills,” “freakish-looking intruders.”)

Then I moved on to a DVD, Woodstock : 3 days of peace and music. I know I will be re-watching this DVD, just to take in everything it has to offer. There is also another DVD I’m eager to get my hands on, Woodstock : three days that defined a generation. It is on order and hasn’t yet come arrived at the library but you can still place your hold.

Here, based on the DVD, is my take on the musical performances:

Best Act: Tie between festival opener Richie Havens (a singer/musician who simply resonates passion for his music) and Sly and the Family Stone (cool, funky music that is guaranteed to get you moving and grooving).

Honourable Mentions: Crosby, Stills and Nash. Just at the very start of their career, this supergroup confessed to being “scared s***less” but still put on an impressive show. The Who’s performance of “Feel Me” (from “Tommy”) was sensational.

Most LOL Act: 50s style-act Sha Na Na. You can just see the hippies scratching their heads and saying “what the…?”

Performance that best captured the spirit of the times: The crowd leaping to their feet and doing a rousing sing a-long with Country Joe & the Fish:

“One, two, three
What are we fighting for?
Don’t ask me why, I don’t give a damn
Next stop is Viet Nam…..”

Most Fortunate Performer: John Sebastian (of The Lovin’ Spoonful) was not slated to perform at all and had showed up strictly to watch the show. However on opening night when they were short a couple of performers (stuck in traffic), someone thrust a guitar into his hand, shoved him onto the stage…. for the biggest gig of his entire career.

Most Unfortunate Performer: Jimi Hendrix asked for and was given the coveted closing slot. However various delays saw the festival finishing up, not Sunday evening, but Monday morning. By then most people had already packed up and left. Still, he gave a mesmerizing performance, including his legendary version of The Star Spangled Banner. Sadly, he would die from a drug overdose just over a year later. (Another Woodstock performer, Janis Joplin, likewise died of a drug overdose in 1970.)

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Beyond the music, there was such a great vibe to Woodstock. Reading the book or watching the DVD you get a real, palpable sense of community. It must have been such a blast to be there!

— Penny D.

Failure Is Not An Option

In the library we see publishers responding quickly to events in the hope that they will capitalize on reader interest and sell more books. In some cases their rush to get a book on the shelves can result in books that meet a need but won’t find their way into your top ten list. With the 50th anniversary of the Apollo 11 moon landing publishers, authors, illustrators, scientists and astronauts had ample time to pull together every resource to make their products top-notch and it has been an absolute thrill to see these book treasures arrive on our shelves. It seems like I have been taking home a book or two a month to read or share with my space-loving family and we have learned some wonderful new facts, sneaky behind-the-scenes tidbits or relived the details we already read.

coderWhen we look back at those blurry images on the moon it’s hard to comprehend that it was only fifty years ago that engineers and technicians (almost entirely men) huddled over the desks to wait and see if decades of work would pay off. It seems like much more than fifty years because advances in technology have reached an absolutely dizzying pace. The computers used to provide guidance for the Apollo mission were so big that they took up entire rooms but are known to have been no more powerful than a calculator used by today’s high school student. It’s astounding to realize that the code was fed into the guidance computer using punch cards. You can actually see the code listing on the Caltech archive and imagine the incredible amount of work that went into just one part of the mission. Or you don’t have to imagine it. Here is a photograph of Margaret Hamilton, an MIT computer programmer working at NASA during the Apollo missions, standing next to a stack of some of the Apollo guidance computer source code.

Landing on the moon is the anniversary being celebrated on July 20th but there could have been hundreds of thousands of individual anniversaries celebrated before that day. An estimated number of about 400,000 people worked to make it possible for three men to safely travel to the moon and two men to walk upon it. The dedication, the incredible risks, the scientific advances and the decades of research and development since the Apollo mission have culminated in a publishing surge and it’s making for some fabulous reading.

In 1961 John F. Kennedy shared his goal that the United States put a man on the moon by the end of the decade and put into motion his plan to conquer space and the world at the same time. Historian Douglas Brinkley (a professor at Rice University where Kennedy gave his famous “we choose to go to the moon speech”) has done well in tying together the story of Kennedy’s family, that of engineer Wernher von Braun, NASA’s role in American politics and the space program’s future following the president’s assassination. He successfully blends politics, history and the thrill of the space race into one compelling narrative in American Moonshot : John F. Kennedy and the great space race. It’s a must read for anyone interested in the Kennedy story or someone who wants to get a feel for all of the forces that came together to make Apollo 11 happen.

Another 2019 book that has far fewer pages but held me captivated for hours was a gorgeous picture book by Dean Robbins and Sean Rubin. The Astronaut Who Painted the Moon is not about the Apollo 11 mission but about the mission that follows and the images are so beautiful. It’s a sweet choice to take home to read aloud but a reader of any age could learn from this one. Alan Bean was the lunar module pilot for Apollo 12 and was the fourth person to walk on the moon but is also known as the only artist to have ever seen the moon up close. What a perfect chance to use your art to communicate a unique experience! This picture book is a wonderful opportunity to learn a little more about his life as a navy pilot and his work at NASA but focuses more on his work as an artist. The author was able to collaborate on this story with the astronaut before his death and the illustrations share some of Bean’s own bold use of line and shape. It’s a little more STEAM than STEM and it’s perfect. Read more about Alan Bean on his own website or through the NASA website.

Alan Bean was a part of the group known as Astronaut Group 3 which included Buzz Aldrin and Mike Collins. But in the early days at NASA all of the astronauts worked closely together by backing each other up at mission control, training together, testing equipment, flying together and helping each other to learn the dense material required to make each mission a success. We have so many fantastic books on the shelves about these fascinating days – some old and some new – but Neil Armstrong’s authorized biography (the one that the Ryan Gosling biopic was based on) is one that stands out in my mind because it is so clearly written. It reads like a textbook because it is free of extra emotion but filled with incredible fly-on-the-wall detail. The chapters that cover his time as a test pilot are so explicit that I am sure I will remember the types of the planes he flew longer than I will remember the names of the people in his family or the town he was born in (Wapaknoeta, Ohio). If you read one book about the Apollo 11 mission then I suggest you set aside a few evenings and spend some time with First Man : the life of Neil A. Armstrong. It’s the closest you will ever get to feeling like you have experienced the life of an astronaut.

For another perspective on the Apollo 11 mission we have a newly reissued copy of Michael Collins’ Carrying the Fire here on the shelves. As a member of the crew, he followed a similar astronaut career path to many of the other pilots with a graduation from West Point, time spent as a test pilot and a spacewalk on Gemini 10. Where his story becomes interesting is that with Apollo 11 he had the unique worry of being the man who might have to fly home and leave Buzz and Neil behind. He was concerned that they might crash on the moon, that there might be a failure to launch from the moon or any one of a number of other catastrophes. He writes about this weighty knowledge in his memoir. Mike had time to think about this as he piloted the command module and listened to his crewmates make their historic first steps onto the lunar surface. So much of the spotlight has focused on their actions in those days on the moon but his story – and his feeling of being truly alone out there – make this a fascinating memoir.

We have also been experiencing an increase in other material focusing on the Apollo 11 anniversary so if you haven’t satisfied your curiosity through shiny, new books you can view a documentary like the one that features newly discovered 65mm footage of mission control and the astronauts on the moon. It’s a truly unbelievable viewing experience. You can also check out one of the many magazines that have featured the moon landing – Make, National Geographic, Popular Mechanics and Sky & Telescope are a few of the periodicals that I’ve been reading lately – the photographs and features have been a great way to augment my reading about the anniversary.

We have some of the classic books about space flight on the shelves like NASA flight director Gene Kranz’s Failure is Not an Option and Tom Wolfe’s The Right Stuff (many contemporary astronauts say that this book was an early inspiration for their career choice) and your options for fiction about astronauts are endless. We have so many great books to suggest that you could be reading until we return to the moon. I know I’ll be on the holds list for the book about that mission.

— Penny M.

NOTE: if your children are into space, check out the Moon Lander (see below) in the Children’s Department at the Main Library. And don’t forget to register for the super-fun, space-themed Summer Reading Club. Activities, events, challenges and prizes all summer long.

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Escape at Dannemora

A Real Life Shawshank Redemption Miniseries

On the morning of June 6 2015, two prisoners were discovered missing from their cells at the Clinton Correctional Facility. Since its construction over 150 years ago, no one had ever escaped from this New York State maximum security prison. What followed was a 3-week manhunt that would be plastered across the media. Convicted murders David Sweat and Richard Matt tunneled out of their cells, crawled through a heating pipe and made their way out of a manhole to the streets in Dannemora. Once outside, they hid in the wilderness for weeks planning to cross the border into Canada.

escape-at-dannemora-dvdEscape at Dannemora is a dramatic television miniseries that retells how Sweat and Matt, along with the help of prison worker Joyce “Tilly” Mitchell, orchestrated a real life Shawshank Redemption prison break.

The first episode starts with Tilly being brought in wearing a black and white jump suit. Her involvement with Matt and Sweat is fully fleshed out throughout the series. Without her, their escape would not be possible. Six more episodes follow, focusing not only on the escape plot but on character motives as well. It is a far more complex story than just two men breaking through cell walls.

In the beginning of the series, the story humanizes Sweat and Matt. Although they are inmates, you can understand that their lives in prison are brutal. You can relate to their desperate need to get out. Then, after the pair escapes, the story very bluntly reminds you that they are in fact very dangerous people who have committed horrendous acts. They were in prison for a reason.

At the start, Tilly’s character was also somewhat sympathetic, only to show, little by little that in her own way she is as sinister as Sweat and Matt.

The biggest surprise for me was that it was directed by Ben Stiller. Looking at his previous movies, which are mostly over-the-top comedies like Zoolander and Tropic Thunder, I certainly wouldn’t have guessed he could create such an exceptional dramatic production. He has shown to have remarkable ability when it comes to storytelling and character development. The shots Stiller used to visibly demonstrate the escape plan were brilliant. Where was he hiding this talent for all these years?

This series puts Ben Stiller on par with the likes of directors Cary Joji Fukunaga (True Detective) and Joe Chapelle (The Wire). Escape at Dannemora has proven that Stiller has an incredibly versatile skill set. I can only hope he takes on more dramatic projects in the future.

— Lesley L.

If Beale Street Could Talk

They’re here. All those great big, beautiful Oscar-winning movies are (mostly) out on DVD and available at WPL.

Bohemian Rhapsody, A Star is Born and Green Book are the really hot ones. You might be lucky enough to snag a FastView copy, otherwise you’ll have to take your place in the rather lengthy holds lists.

Here’s one that didn’t garner quite the same level of attention but which I’m eager to see: If Beale Street Could Talk (it won an Oscar for Best Supporting Actress, Regina King). I read some great reviews and wanted to see this film at the theatre, but somehow never did. Just take a look at the trailer, don’t you agree it looks beautiful?

Then I discovered it’s based on a novel by American author James Baldwin, so now I’m immersed in the book as I await my turn for the movie. (BTW, I’ve found reading the book beforehand — if there is one — really enhances the movie-watching experience.)

I can’t praise the book highly enough. Set in New York City, it’s a tender love story between 19-year-old Tish and 22-year-old Fonny and so much more. Tish discovers she is pregnant, and the scene where Tish tells Fonny’s family, now that’s memorable. I just can’t wait to see that in the movie! When Fonny is wrongfully accused of rape and thrown in jail, Tish and her family — Fonny’s family isn’t much use — work tirelessly to get him released from an openly racist system.

A lot of themes come into If Beale Street Could Talk. Race and racism and injustice, certainly, but also the universal themes such as hope vs. despair and staying strong and resilient in the face of adversity because, after all, what other choice is there?

N.B.  It was a great thrill for me to discover the writer James Baldwin (1924-1987). Within the first half page of the book, less than that really, I knew he was the real deal, a REAL writer. His writing is spare and clean with nothing extraneous added, yet so genuine. I know I will be reading more of James Baldwin.

— Penny D.

Hillary : Everest & Beyond

Recently, the Waterloo Public Library added the DVD Hillary: Everest and Beyond to its feature film collection. It’s a fictionalized version of the life of New Zealand adventurer and philanthropist Sir Edmund Percival Hillary. I wanted to try something different (I usually prefer mysteries or action packed thrillers) so I took this one home. To my surprise it was quite good.

In Hillary it was very interesting to learn that as early as 1885 there were suggestions that climbing Everest would be possible. People were eager to scale the mountain. Some of the earlier attempts are briefly dealt with in the film and feature the northern approach which was discovered in 1921 by Brits George Mallory and Guy Bullock even though they were not equipped for such an attempt. In 1922, Mallory and Bullock returned with George Finch. They climbed using oxygen which allowed the team to travel at a pace of more than 951 feet per hour but still they did not reach the summit.

In 1924, Mallory and Geoffrey Bruce’s attempt was cancelled due to poor weather conditions but Norton and Somervell, who climbed without oxygen and had good weather, managed to reach 28,050 feet. They attempted to finish the climb using oxygen but did not succeed. On June 8, 1924 Mallory (this time with Andrew Irvine) tried again via the North Col-North Ridge-Northeast Ridge route but never returned. On May 1, 1999 Mallory’s body was found by the Mallory-Irvine Expedition. Irvine’s was never recovered.

screen-shot-2017-04-02-at-09.28.28There were several other early yet unsuccessful expeditions in the 1920s also mentioned in the film, as well as attempts in 1933 and 1936 via the North Face. Also in 1933 (and not mentioned in the movie) British Millionaire Lady Huston financed the Houston-Mount Everest Flight Expedition, in which aircraft flew over the summit of Everest for the first time.

In 1950 access to the north-to-west route was closed after China took control of Tibet. Bill Tilman and a small party made an attempt using the route which has become the standard approach to Everest (or what the Tibetans call “Chomolungma,” or “Holy Mother”) from the South. A Swiss expedition in 1952 led by Edouard Wyss-Dunant was granted permission, taking the Khumbu Icefall and ascending to an elevation of 26,201 feet. Raymond Lambert and Nepali-Indian born Sherpa Tenzing Norgay reached 28,199 feet on the southeast ridge setting a new climbing altitude record. As a result of Norgay’s experience he was hired to be part of the British expedition in 1953.

After all the build-up from the other expeditions and Hillary’s sheer determination (which is depicted marvelously in the film) at 11:30am local time on May 29, 1953 the then unknown man, Hillary from South Auckland, New Zealand, along with trusty Sherpa Norgay, successfully made it to the summit of Mount Everest. News of the expedition reached London on the morning of Queen Elizabeth II’s coronation. Several days later Hillary, along with Col. John Hunt (who led the expedition), received knighthoods.

Although there were parts of Hillary’s life that the film didn’t depict it is a worthwhile watch and made me want to find out more about this fascinating man. If you want to learn more about his exploits and philanthropy check out the following titles from WPL’s collection. They will fill in the gaps left by the film and help readers better understand the tall, shy, sensitive man who loved to read and also to push life’s limits.

High Adventure: true story of the first ascent of Everest” – in this autobiography, Sir Edmund Hillary recounts his life, his ascent of Everest and the history of mountaineering expeditions in China and Nepal.

To the Top! Climbing the World’s Highest Mountain” – in this eBook for kids, author S.A. Kramer describes how Hillary and his Sherpa reached Everest.

View from the Summit” – another autobiography where Sir Edmund Hillary recounts more about his life including jet boating up the Ganges and initiating a building program which included schools, clinics, airstrips and bridges in Nepal.

Sir Edmund Hillary & the People of Everest” – this coffee table book illustrates the social life and customs of the Nepalese people, as well as the life of Hillary and mountaineering. It’s filled with beautiful photos and celebrates 50 years and the golden anniversary of the conquest of Everest.

— Teresa N-P

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Six Degrees From a Typewriter

A popular game suggests that all things in the world are six or fewer steps away from each other. Who would have thought that this applies to a vintage typewriter?

This tale begins when a staff member offered a vintage typewriter for display at the Main Library. Shortly thereafter I displayed the typewriter in the lobby near Borrower’s Services on an equally old oak desk the library had kicking around. Immediately our customers began to try out the vintage machine and the click-clack of the keys could be heard in the library.

This is not a new idea. The book “Notes From a Public Typewriter” edited by Michael Gustafson and Oliver Uberti is a collection of a series of notes left on a vintage typewriter set up in a book store in Ann Arbor, Michigan. The book combines essays with favourite notes (like “I ended up alone on my birthday but being here makes it easy to forget that. Thank you.”) as a nod to community.

At WPL we too began to experience our own unplanned community-building exercise. Jokes, words of advice, famous quotes and reminiscences were typed up, slowly or quickly, on the old machine at the Main, revealing the heart of our community here in Waterloo.

The heartwarming:

“Dear whoever reads this. You matter.”
“You are loved. You are accepted.”
“Love yourself.”
“Books are good for you and books love you too”

Gentle advice:

“Learn something new every day.”

Salutations:

“Hello person who is reading this.”
“Whoever you are? Have a good day.”

Memories:

“My dad had a typewriter like this in his office in Buffalo.”
“This is the typewriter that I learned on in 1950 when I could do 40 words a minute.”

Kids:

“Give me ccccoooookkkiieeeessss.”
“I wish I could use one of these for school. It’s cooler than Google docs.”
“This is old school. How did anyone ever type like this?”

Generations mingled:

“This is an ancient keyboard.”
“It’s not that old. I used to have one!!!”

Suddenly, I began to see images of typewriters everywhere I looked including on the cover of Tom Hank’s collection of short stories “Uncommon Type”. Each of Hanks’ stories features a typewriter almost like it was a character in the story. My favourite “Christmas Eve 1953” tells the story of a World War II vet who has achieved the American dream but is still haunted by flashbacks to Christmas 1944.

Hanks himself is an avid collector of typewriters which he talks about in the documentary “California Typewriter”. The documentary examines the extinction of the beloved typewriter and the movement to keep these “ancient” machines clicking away.

WPL customers really enjoy the sound from yesterday. Customers noting “The sound of the keys clacking is nice.”

In the popular feature film, “You’ve Got Mail“, a cherished neighbourhood bookstore (owned by Meg Ryan’s character) is being pushed out by a big book store chain (owned by Tom Hanks’ character). Another character in the movie collects vintage electric typewriters, rhapsodizing about the hum of the machine and the sound of the keys. Spoiler alert, he doesn’t keep the girl – but he does hang onto the vintage typewriters! The viewer can judge who got the better deal.

If all this typewriter talk has made you want to learn more about the trusty machine, check out the book “The Typewriter Revolution” by Richard Polt. It includes a chapter on care and repair which I may need when unsticking keys and adjusting the ribbon every morning. Curious customers have a habit of fiddling with buttons and adjusting levers and, as one typist freely admitted, “Help! My finger is stuck between the keys!”.

Finally, I seem to be right back where I started – the typewriter. You see, I have my own typewriter story. When I started at WPL almost 30 years ago one of my jobs was to type catalogue cards on just such a machine. I think a WPL customer summed it up best when they so wisely clacked out in short staccato strokes “Remember who you are. Remember who you were”.

— Maureen S.

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Happy 30th Die Hard

It’s so hard to believe that Die Hard is 30 years old this year. Bruce Willis has been saving his estranged wife and her coworkers from Hans Gruber and his ruthless henchmen for decades now and it’s still one of the most enjoyable action movies of all time. It was nominated for a few Academy Awards in 1998, the ones you would expect, like Best Sound Effects and Best Visual Effects, but that doesn’t take into consideration that the writing was top-notch and Bruce Willis takes you on an emotional journey unlike any other in that genre. All two hours and twelve minutes of that film are filled with action and set the standard for movies in that genre that come to follow.

When the movie first came out I saw it with high school friends and we joined the rest of the audience in cheering each time John McClane made it through another terrifying moment against the despicable criminals – they were so calculated in their lawbreaking. As time has passed and I’ve seen the movie again and again (and with the help of my two daughters’ critical eyes) I can see that they carefully set everything up to make the whole film an endless barrage of moments that keep you on the edge of your seat. McClane removes his shirt (and shoes and socks, after his seatmate in the airplane suggests that it will help him to relax after his stressful airplane flight) to clean up after his flight to see his wife Holly and without this ‘armour’ he is even more vulnerable when the first shots are heard. The very fact that he has flown to Los Angeles from New York to try and mend some of the damage in their marriage makes the audience care for him even more. And when he just doesn’t stop, despite grueling injuries and the terrifying thought that his wife could be in danger, well, we are there with him every step of the way. We are watching through our fingers as he continues to battle, despite everything horrible that comes his way, we are on McClane’s side until the last bullet and flash of a bomb.

Of course, throughout all of those horrible moments comes what Bruce Willis was known for at the time, his perfect comic delivery. He made “Die Hard” while he was filming the TV show “Moonlighting” and the dialogue seems as if it were written specifically for him, even though in the years since the film was released we have learned that he wasn’t the first actor they considered for this role. I’ve read that Robert De Niro and Sylvester Stallone were possible leads. Even Frank Sinatra was considered. I can’t imagine anyone else saying some of the things McClane said as he crawled through those air ducts or as he wrapped his battered feet on the floor of the barren office tower.

Some of those things are filled with language that isn’t appropriate for this post but he was under such strain at the time so we need to forgive him. When he called for help from the top of Nakatomi Plaza, they didn’t believe him and told him that the phone line was for emergency calls only. Just imagine… that 911 operator had it coming to her when he said he wasn’t calling to order a pizza (or something very like that, I’m leaving out a few words). Each time it seemed like things were going his way the cup is dashed from his lips. It’s maddening and exciting at the same time and so, so watchable.

Attention must also be paid to the dialogue that they wrote for McClane’s worthy adversary, Hans Gruber, because he was equally enjoyable to watch. Alan Rickman was so incredible in this part that you feel as if the writers were giving one snappy line to McClane and then one to Gruber like they were shelling out for Hallowe’en. His character is never at a loss, always a step ahead, and terrifying. When he and McClane cross paths he is able to quickly switch to an American accent and convince McClane that he is a victim – as if he were one of his own hostages! I almost always feel like shouting at the screen when this happens. He is ruthless, cool under the extreme pressure of their heist and is oh, so clever. When he is trying to convince Mr. Takagi to give him the code he says “I could talk about industrialization and men’s fashion all day but I’m afraid work must intrude.” in a voice that makes you believe that perhaps he might be willing to talk but he also might be willing to kill at any moment. It’s eerie.

The impact of McClane and Gruber’s fight to the finish might not have resulted in multiple Oscars but it does cause people to discuss whether or not this film should be considered a “Christmas Movie” every few years. I am firmly on the side of watching it during the holiday season – McClane is going home for the holidays, Holly and her co-workers are taken hostage during their Christmas party and the soundtrack includes classics like “Winter Wonderland”, “Let it snow” and Run-D.M.C.‘s “Christmas in Hollis”. It’s an absolutely fun watch and it has a happy ending – that all says Christmas movie to me. The movie has been listed in many ‘Best Of’ lists, it spawned a franchise for Bruce Willis, and his sweaty undershirt and police badge are now in the Smithsonian. (see image below)

If you search the Internet you will find t-shirts, Christmas sweaters and gifts with all of the best Die Hard quotes printed in various fonts. You can purchase a box set of the DVDs in a Nakatomi Plaza-shaped commemorative box (I’ve seriously considered it) and we recently added a graphic novel to the collection called A Million Ways to Die Hard by a group of authors and illustrators who have worked for Marvel and D.C. You can read it and find out what these artists imagine McClane’s life is like now that he is in retirement, or could have been like if he wasn’t dragged back into the world of policing to face a psychotic serial killer.

Die Hard and John McClane will be with us for years to come and I am thrilled. This movie goes out regularly throughout the year at all library locations and every holiday season we have requests for it to go home with someone for a special festive viewing. I know that I’m looking forward to watching it again, probably not exactly for the 30th time but I’ll take a minute to contemplate how much I’ve enjoyed it through the years and perhaps I’ll walk barefoot on the carpet for a while, just making fists with my toes, like someone I know.

— Penny M.

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Juliet, Naked

Ooh I love the English writer Nick Hornby. He writes about human frailties and vulnerabilities in a way that is always smart, funny and so spot-on.

I recently read his book Juliet, Naked (from 2009) and also saw the movie during its recent run at the Princess Cinema.

Juliet, Naked is a great read! What’s with the title, you might be wondering. It sounds a little, er, provocative. But there is no clothing-less woman named Juliet parading through the book. Juliet, Naked is, in fact, a music album. Perhaps that will come as a disappointment to some.

Anyway, Annie and Duncan live in the north of England and have been together for 15 years, wasted years as far as Annie is concerned. Then she starts an email correspondence with Tucker Crowe, who also knows a thing or two about wasted time. Tucker used to be a famous singer-songwriter, who Duncan just happens to be obsessed with, and which will throw a few curveballs into the story line. It has been 20-odd years since Tucker’s last album and his life has been pretty aimless since then.

Tucker comes to England to deal with some complicated family stuff and arranges to meet up with Annie. They have built up quite a connection through their correspondence. The burning question (no real surprise here): are they willing to give relationships a second shot?

The movie Juliet, Naked stars Rose Byrne, Ethan Hawke and Chris O’Dowd. All of them are excellent. I have to say I preferred the book over the movie (mostly because I love Nick Hornby’s writing so much) but a fellow WPL staffer told me that she preferred the movie. So there you go, two different people, two completely different opinions–and that’s great.

The DVD is not yet available at WPL, but is on order.  Here’s the link to the trailer in case you want a sneak peek. There are quite a number of holds on it already so if you are interested you might want to place your own hold soon. Like, now.

— Penny D.

Get the Night Light Ready

At Halloween do you like to settle down and watch a spooky movie to get you in the mood for handing out candy to the ghosts and ghouls on your doorstep? Perhaps you have more of a taste for the macabre. Reflecting on Halloween makes me think of how I would rank my favourite fright-filled films.

Now, I’m not really a horror fan. I have been known to watch a movie with a blanket pulled up, covering my face, with one eye peeking over the top while I ask my husband to tell me when the scary part is over. Still, there a few films that I’ve watched and enjoyed which do fit the bill.

One of the most recent horror films I’ve watched is Winchester. It was Helen Mirren playing Sarah Winchester, the widow of the Winchester Firearms company magnate, that first intrigued me. This partly fact-based film (with some creative license of course) wasn’t one of those blood-gushing, over-the-top violent films. However, it does make you jump at the right times and the underlying theme of ‘why’ resonated with me. Although only a few parts of the movie were filmed at the actual Winchester mansion it made me want to visit and see just what made Sarah frantically build this mysterious house in San Jose, California. If you’re as intrigued as I was, watch the film and then check out the mansion’s website.

Another of my favourite horror films is Sleepy Hollow, based on the Washington Irving legend that we’re all familiar with. A headless horseman haunts a town. People are scared. A gruesome death occurs.

What makes the Johnny Depp version of Sleepy Hollow a favourite of mine is the romantic twist on this piece of European folklore that’s been popular since at least the Middles Ages. In this version a personally troubled police constable from the city, Ichabod Crane (Depp), is asked to help the village. Arriving in Sleepy Hollow, he meets Katrina Van Tassel (Christina Ricci), the daughter of a wealthy landowner. Ichabod falls in love with Katrina while trying to help rid the town of its monster. This “battle” is highlighted by some CSI-like techniques which have been adapted to fit in with the time period. As dark as the cinematography of this film is, the light in the outcome of the story makes it one to watch.

This brings me to my two favourite films based on Stephen King novels: The Shining and Misery. In The Shining Stanley Kubrick adapts the story of a boy whose psychic powers brings out the evil in an old hotel. Being isolated in a large hotel during a snowy winter creates cabin fever for one of the main characters with murderous outcomes. The historic setting of the hotel and the film’s score of music from the past gives the film a nostalgic feeling which is partly what attracted me at first. The scary scenes will make you jump out of your seat and although the film is slightly different from the book it’s a great movie to watch!

In Misery it’s the spectacular performances of Kathy Bates (who won the Academy Award for this role) and James Caan that originally caught my attention. Rob Reiner directs and one of the best scenes happens as Caan’s character slowly, painfully hobbles across the screen towards freedom and then … BANG … our excitement is squashed and we cringe as Bates’ character ends his attempt to free himself of this ‘misery.’

The final films on my Halloween “must watch” list are:

I’m sure there are much scarier movies out there with blood and guts that would give me nightmares forever but I digress. Whether it’s the spinning head of Linda Blair in The Exorcist, the mysterious woman’s appearance in the Woman in Black, the question of is he dead or alive in The Sixth Sense, the satanic plot of the people in Rosemary’s Baby, the classic shower scene in Psycho or the static on the television in Poltergeist these frightening, suspenseful moments always draw me in. I get the shivers just thinking about these films. For now though, I think I’ll just wrap my blanket around me tightly and make a run for the candy bowl!

— Teresa N-P

Book vs. Movie

Can a movie be better than the book? The Case of Ready Player One

With adaptations now common in the film world, readers have been proven time and time again that a movie adaptation can never be as good as the book. It’s a notion that had good reason. Books have more time to develop storylines, characters, and a world. Books invite readers on a personal journey with the characters and whatever they imagine is the true story. I’ve been a proponent of agreeing that books are ‘better’ than movies over the years, but I’ve started to question if this notion should be absolute. Can a movie be better than the book? In some cases, I think that yes, yes it can.

After my friend’s encouragement, I read the book Ready Player One by Ernst Cline. Now, I must preface that I’m not the target audience for this book. I didn’t grow up in the 80s, I’m not well versed in fan culture, and I’m not a teenage boy. As Cline described, this book is, “… a love letter to geek culture.” That letter certainly is not addressed to me. Regardless, I read the story for the adventure.

Ready Player One by Ernest Cline is set in the year 2044 where reality is a really ugly place. Eighteen-year-old Wade Watts finds an escape in the virtual utopia called the OASIS. When OASIS creator James Halliday dies, the late OASIS creator dedicates his entire will and inheritance to whoever can pass three very difficult tasks that will lead to uncovering an Easter egg. A global mad hunt ensues to find this egg, a lottery ticket, that is concealed in the virtual world.

I finished the book and didn’t quite understand the hype for it. One of the main reasons I didn’t care for the book was the writing style. For the first 100 pages, Wade tells the reader how everything works in the world. There is no room for the reader to uncover the clues along with Wade, as he breaks down every detail and feeds it to you. Where’s the adventure in that? Beyond the 80s references, the story was a fairy tale treasure hunt where plot conveniences, flat characters, and wish fulfillment didn’t add up to a great story that was promised.

Despite my problems with the book, I went to see the movie. I had faith that Steven Spielberg’s direction would make for a fun movie, and I was interested to see how he handled the more problematic aspects of the book. I went with the friend who initially recommended the book, and we both came to the same conclusion when we left the theatre together. The movie was better than the book.

How could that be? The book was rich with allusions and world building details. It was a love letter to geek culture. How is it that both the person who liked the book and didn’t like the book come to the same conclusion?

I have a theory why. This book dealt with virtual reality, an inherently visual concept. What better platform is there to showcase a virtual reality story than a movie where there are not only words on a page (the script), but music, sound, and grand visuals that dazzle us. It brought the story to life in a way that didn’t translate in the book for me. It was easier to show us the world as Wade walked through each scene and all the details in the book existed around him. Beyond that, Spielberg has a deep understanding of what stands as the epitome of geek culture: The Eater Egg. Everything thematically and narratively revolves around this. It gave a focus and coherence to the narrative that wasn’t present in the book. Not only could someone who understood all of the 80s references like my friend enjoy it, but someone who didn’t like me. Additionally, the secondary characters are given more agency in the movie, which led this tale to be the action-packed adventure that I had wanted the book to be.

It now makes me wonder about the nature of adaptations. Can they not only bring a beloved book to life, but a story that is more suited for the screen? While everyone can have a preferred platform in which stories are told, I can no longer say whether a book is better than a movie. Instead, the question I ask myself is: does this story work better as a book or movie?  With Ready Player One, I believe it’s a story that is perfect for the screen.

Are there any stories that you’ve encountered that work better as a movie than they did as the book? Decide for yourself if Ready Player One is a better suited for a book or movie by checking them out from WPL collection.

— Eleni Z.